David Kaye Gallery » Golley/Leathers

TRUDY GOLLEY and PAUL LEATHERS
ANIMA MOTRIX: motive spirit
September 9 - October 10, 2010

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Artists’ Statement:

The essence of ingenuity is to be sought in the transit: it is something not mechanical, but strategic, hinging on the apparent similarity between points of departure and arrival. Mario Perniola, ENIGMAS

In ANIMA MOTRIX: motive spirit, ceramic artist, Trudy Golley and studio metalsmith, Paul Leathers join forces to create artworks that capitalize on a materially-based relationship which started in 1998 with their first foray into collaborative art making, their two-person exhibition/wedding reception, Rub(icon). Referring to the compelling force exerted by objects that engage the viewer’s gaze, the exhibition’s title is drawn from the term coined by Johannes Kepler (1609) to explain gravitational force — Anima Motrix (Latin, “motive spirit”). This provides a metaphor for the attraction that both resolved artworks and the unexpected solutions that develop within the creative process hold for artist and viewer alike: the object as lure.

Working in the interstitial zone between craft-based and sculptural genres, Golley and Leathers deal with strategies of attraction while creating evocative objects that address the notion of service. Referencing pre-Enlightenment modes of presentation, the reliquary — where a ceramic form hosts a removable wearable ornament — is used here for its ability to integrate both container and contained. Rather than the somewhat disconnected experience of an observer, the viewer is invited to explore, as an active participant, the objective relationship between viewer, viewed and viewpoint.

As an event, ANIMA MOTRIX: motive spirit represents a block of time, anchored by artists’ residencies in Jingdezhen, China, that allowed the artists to explore new possibilities for their collaborative artworks. Employing innovative technical processes, the artists have incorporated parergonal light effects to attract and locate the viewer, to provide an unexpected sense of discovery, and to address notions of conceptual and intellectual illumination.

In describing their creative process Leathers states, “Collaboration is a shared adventure. Taking a perpendicular stance to the routines of one’s studio practice allows one to be made a stranger to it, and in the end, to transcend one’s expectations of it.” “Our collaborative work,” Leathers continues, “where each artist brings in strengths from their respective studio practice, affords us the opportunity to share the making process and to arrive at a fertile place of innovation where we can create novel forms and experiences for the viewer to encounter.”
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The artists live in Central Alberta where Golley is the Head of Ceramics at Red Deer College and Leathers maintains his studio practice. Both have been inducted into the Royal Canadian Academy of Arts.

GALLERY

Trudy Golley, Branch Vase (#21), 2010, slip-cast and assembled glazed porcelainTrudy Golley, Branch Vase (#22), 2010, slip-cast and assembled glazed porcelainTrudy Golley, Branch Vase (#23), 2010, slip-cast and assembled glazed porcelainTrudy Golley/Paul Leathers, JDZ Auspicious Cloud Spiral (#4), 2010, water eroded, slip-cast porcelain with underglaze transfers and chromium PVDPaul Leathers, JDZ Fragment Brooch (#4/32), 2010, slip-cast porcelain fragment with oxidized Sterling silver, nickel silverPaul Leathers, JDZ Fragment Brooch (#1/29), 2010, slip-cast porcelain fragment with oxidized Sterling silver, nickel silverPaul Leathers, JDZ Fragment Brooch (#2/30), 2010, slip-cast porcelain fragment with oxidized Sterling silver, nickel silver, SOLD.Paul Leathers, JDZ Fragment Brooch (#5/33), 2010, slip-cast porcelain fragment with oxidized Sterling silver, nickel silver, SOLD.Paul Leathers, JDZ Fragment Brooch (#3/31), 2010, slip-cast porcelain fragment with oxidized Sterling silver, nickel silverPaul Leathers, Slide Mount Brooch: Huángjīn Lǎohǔ X marks the spot (#34), 2010, slide mount with digital image, CAD/CAM cut laminated gold leaf, glass, oxidized bronze, nickel silver findingPaul Leathers, Slide Mount Brooch: Huángjīn jiā Moon Gate (#35), 2010, slide mount with digital image, CAD/CAM cut laminated gold leaf, glass, oxidized bronze, nickel silver findingPaul Leathers, Slide Mount Brooch: Huángjīn lìshǐ Buddha and Mao (#36), 2010, slide mount with digital image, CAD/CAM cut laminated gold leaf, glass, oxidized bronze, nickel silver findingPaul Leathers, Slide Mount Brooch: Huángjīn tóugǔ Porcelain Skull (#37), 2010, slide mount with digital image, CAD/CAM cut laminated gold leaf, glass, oxidized bronze, nickel silver findingPaul Leathers, Slide Mount Brooch: Huángjīn zìfú Sign Character (#38), 2010, slide mount with digital image, CAD/CAM cut laminated gold leaf, glass, oxidized bronze, nickel silver findingTrudy Golley, Rocking Ewer (#13), 2010, slip-cast and assembled glazed porcelain, SOLD.Trudy Golley, Rocking Ewer (#18), 2010, slip-cast and assembled glazed porcelain, SOLD.Trudy Golley, Ewer (#26), 2010, slip-cast and assembled glazed porcelain, SOLD.Trudy Golley, Ewer (#17), 2010, slip-cast and assembled glazed porcelain, SOLD.Trudy Golley, Ewer (#11), 2010, slip-cast and assembled glazed porcelainTrudy Golley, Ewer (#25), 2010, slip-cast and assembled glazed porcelainTrudy Golley, Ewer (#15), 2010, slip-cast and assembled glazed porcelainTrudy Golley, Ewer (#16), 2010, slip-cast and assembled glazed porcelainTrudy Golley, Pair of Vases (#10), 2010, slip-cast and assembled glazed porcelain, SOLD.Trudy Golley, Double Vase (#9), 2010, slip-cast and assembled glazed porcelainTrudy Golley, Vase Form (#24), 2010, slip-cast and assembled glazed porcelainTrudy Golley, Double Walled Vase (#8), 2010, slip-cast and assembled glazed porcelainTrudy Golley, Double Walled Vase (#7), 2010, slip-cast and assembled glazed porcelainTrudy Golley, Double Walled Vase (#6), 2010, slip-cast and assembled glazed porcelainTrudy Golley, Faux Banksia Vase (#28), 2010, slip-cast and assembled glazed porcelain with 24Kt. gold overglaze decals, SOLD.Trudy Golley, Ewer (#12), 2010, slip-cast and assembled glazed porcelainTrudy Golley, Ewer (#14), 2010, slip-cast and assembled glazed porcelainTrudy Golley, Ewer (#19), 2010, slip-cast and assembled glazed porcelain, SOLD.Trudy Golley, Ewer (#20), 2010, slip-cast and assembled glazed porcelainTrudy Golley/Paul Leathers, ANIMA MOTRIX: motive spirit, Exhibition installation view.Trudy Golley/Paul Leathers, ANIMA MOTRIX: motive spirit, Exhibition installation view.Trudy Golley/Paul Leathers, ANIMA MOTRIX: motive spirit, Exhibition installation view.Trudy Golley/Paul Leathers, ANIMA MOTRIX: motive spirit, Exhibition installation view.Trudy Golley/Paul Leathers, ANIMA MOTRIX: motive spirit, Exhibition installation view.Trudy Golley/Paul Leathers, ANIMA MOTRIX: motive spirit, Exhibition installation view.Trudy Golley/Paul Leathers, ANIMA MOTRIX: motive spirit, Exhibition installation view.Trudy Golley/Paul Leathers, ANIMA MOTRIX: motive spirit, Exhibition installation view.Trudy Golley/Paul Leathers, ANIMA MOTRIX: motive spirit, Exhibition installation view.